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I went and saw what I consider a horrific movie last night, The Joker.
Unfortunately, I am now concerned about the storyline stirring up psychopaths around the world, especially when the ending shows that this poor excuse for a human being became a hero to the masses.
I watched the trailer before I went. It did not illustrate any of the gruesome seems that took place during this movie.
The next time I will read the reviews before I go to any questionable movie.
I thought it was just another superhero versus the Joker in Gotham city movie.
I expected a superhero like Batman to show up at any point.
Unfortunately, no superheroes came to the rescue.
Instead throughout the movie the psychotic Joker was killing people for very small insults to his humanity.
In the end, this dark recluse, poor excuse for a human being, became the hero.
I highly recommend you don't take your children there as this is not the storyline that we grew up with where we are taught the difference between bad and good. And that good always wins over evil in the long run
This movie is a bad example for any child or even young adults.
When I came home last night I observed that several of the Hong Kong protesters were already starting to wear masks similar to the Joker mask.
I can guarantee you for Halloween Joker Masks will be the number one mask worn by most people especially those with dark personalities already.
My deceased mother, God bless her, would have already been making her first Joker Masks for her Halloween shop back up in Canada
I agree that the acting by Joaquin Phoenix is exceptional. I can't help but think he may be psychotic already. He looks like he is already suffering from anorexia. No doubt he will win some sort of Academy Award for his performance.
Anyways I hope that I'm wrong.
I hope I am the only one that believes this may lead to a cult scenario in many major cities around the world who are suffering through the same homelessness, high crime, and corrupt officials that were portrayed throughout this movie in the mythical city of golf.
______________________________________________________
Joker movie review: No one's laughing in this bleak, violent spin-off
Joaquin Phoenix rises, but Batman is missed in this intense, visceral experience.
BY
RICHARD TRENHOLM OCTOBER 5, 2019 8:50 AM PDT
A comic book character, the guy who directed The Hangover, and an Oscar-nominated weirdo walk into a bar. What is this, says the barman, some kind of joke? Wait, I told it wrong. Let me start over. What do you get when you cross The King of Comedy with the clown prince of crime?
You get Joker, an R-rated superhero movie with no super and zero heroes that oozes out of DC comics, but leaves almost everything on the page. Director Todd Phillips -- the man behind comedies Starsky and Hutch, Old School and The Hangover movies -- reinvents the eternally popular Batman baddie by plonking Joaquin Phoenix into the mean streets of a vintage Martin Scorsese flick. The result is an intense, troubling movie with pretensions to be a modern-day Taxi Driver, complete with incendiary leading performance.
The film has sparked divided reviews and a debate over its dark themes, causing the director to speak out and theaters to ban viewers from dressing up to see it. You can decide for yourself whether it merits this frenzied discussion as Joker is in theaters now.
You talkin' to Joaquin?Niko Tavernise
A retro Warner Bros. logo signals we're in the early 1980s. The people of Gotham City are swamped by a rising tide of garbage, literally and metaphorically. None more so than put-upon Arthur Fleck. He's just a gentle guy who likes to make people smile, whether he's taking a gun into a children's hospital or stalking his pretty neighbor. Arthur's lost in the margins among the graffiti and neon, trudging up endless steps and down mildewed corridors in a life of shadowed tenements, empty mailboxes and broken elevators.
As the mentally ill and socially ignored Arthur, Phoenix burns a hole in the screen. From the opening moment when he cracks his mouth into an unnerving fake smile, the three-time Oscar nominee commands your attention. Minutes into the film, he suddenly flicks his eyes to meet the camera, and it's shiver-inducing. You almost don't want him looking at you.
Arthur is a clown by day and a stand-up comic by night, but nobody's laughing in this brutal metropolis. In some versions of the comic book character's origins, the man who would be Joker fell into chemicals that bleached his skin and hair and twisted his mouth into the distinctive rictus. There's nothing so comic-book-schlocky in this version. Here, the city is the inescapable vat in which Arthur flails. Indifference is the goop in which he drowns. Cynicism and cruelty are the acid burning him to the bone.
Seriously, everyone in this movie is miserable. They're queuing up to beat Arthur up, but the second time he's set upon the ground-down clown fights back. In the stuttering light of a rattling subway, Arthur shoots three boorish bankers, and a transformation begins. The shooting inadvertently sparks a movement as the downtrodden people of Gotham rise up against the rich. It's not the reaction Arthur wanted, but it's a reaction -- and he'll take it.
Zazie Beetz and Joaquin Phoenix on the mean streets of Gotham.Niko Tavernise
It's hugely unnerving the way Phoenix shifts moods so subtly, yet so completely. With each soul-crushing rejection his face imperceptibly darkens, his whole physical shape transforming with a roll of his shoulder. One of Arthur's many problems is a condition causing him to laugh at inappropriate times, and Phoenix gives his all to this anguished tic. He giggles through tears, guffaws in pain, hoots with great wracking sobs dredged from the depths of his contorted, hunched skeleton. His skin stretched taut across protruding bone, he seems to store up tension with every passing indignity, violence coiling inside Arthur as if he were Travis Bickle's less well-adjusted little brother.

Now playing: Joker character coming to life in final trailer
2:24
After the first burst of brutal violence, Arthur dances, the first glimpse of a new Arthur with renewed confidence. His movements are elegant, his emaciated frame now lithe, lissom, graceful. He watches himself in the mirror, just as we watch him on screen. Later on his journey to becoming Joker, he dances through the streets resplendent in a blood-colored suit. He's swaggering, confident, cool. You know you're going to see this Joker at Halloween this year, and at conventions for years to come.
It's an instantly iconic look, distinct from the Jack Nicholson, Jared Leto and Heath Ledger versions that came before. The red and yellow outfit echoes the sickly walls of the Arkham mental hospital, just one of many stunning details in the slick production design. Sure, you've heard this one before, but even as a pastiche of far superior 1970s and 1980s New York films, Joker still looks amazing.
Knock, knock. Who's there? A million cosplayers!Niko Tavernise
After the subway shooting, a witness sketch presents an image of Arthur as a be-fanged horror. When he sees it, Arthur bares his teeth to contort himself into looking more like the image. It's a feedback loop of misguided misidentification that spirals out of control as rioters don clown masks, spurring Arthur on yet again. Everybody sees what they want, their rage mirrored and multiplied. Some people just can't take a joke.
Possibly the film makes its most effective point by depicting the media as unable to resist someone with a schtick. "I don't believe in anything," Joker admits. "I just thought it would be good for my act." In these polarized times that's a phrase that could be uttered by any number of attention-hungry opportunists, from Reddit to the White House. Joker is certainly a film of our time -- and the secret of comedy is, after all, timing.

The Joker: See all the actors who've played the DC Comics villain
14 PHOTOS
The question is whether Joker has anything to say about our times. In Christopher Nolan's The Dark Knight, the Joker was a malevolent agent of chaos desperate to prove people are terrible. But the film took a firm stance, showing the people of Gotham refusing to blow up each other. Nolan's film definitively condemned the Joker and his bleak worldview as charismatic but wrong.
Philips' film, by contrast, doesn't seem to know what it's trying to prove. Yes, Arthur is disturbed and violent. But everybody else is cynical, mistrusting and cruel. A social worker barely notices Arthur. A mother snaps at him when he tries to cheer up her kid. Even the two fatherlike figures Arthur obsesses over, tycoon Thomas Wayne and chat show host Murray Franklin (played, fittingly, by Taxi Driver and King of Comedy star Robert De Niro), turn out to be smug and superior. The rich are terrible and the people are even worse -- a frothing rabble of rioters, looters and murderers who barely need an excuse to tip into savagery.
MORE JOKER
Joker's movie makeup: How Joaquin Phoenix put on a happy face
Joker with Joaquin Phoenix: Everything you need to know
Joker too violent for kids, Alamo Drafthouse warns parents
Philips does an impressively unnerving job of building tension and menace toward the inevitable explosion, and there's a devastating rug-pulling twist. But the film wobbles over who's ultimately the butt of the joke, messing up the punchline when it comes to deciding whether Arthur is a pathetic loser or a righteous victim/hero. There's an element of ambiguity in the ending, but it feels less like a genuine artistic statement and more like one of several cringy attempts to be edgy, like a song by convicted pedophile Gary Glitter on the soundtrack.
The movie soars free of capes and other superhero nonsense, but it's hard to see the point being made when there's no heroic Batman representing the other side of the scarred coin (to borrow a motif from a different bat-villain). Joker is intense and unnerving and a radical entry into the superhero genre, but come on, Taxi Driver was 40 years ago. Maybe that joke isn't funny anymore.

2019 movies to geek out over
77 PHOTOS
Originally published Sept. 28.
Joaquin Phoenix rises, but Batman is missed in this intense, visceral experience.
BY
RICHARD TRENHOLM OCTOBER 5, 2019 8:50 AM PDT
A comic book character, the guy who directed The Hangover, and an Oscar-nominated weirdo walk into a bar. What is this, says the barman, some kind of joke? Wait, I told it wrong. Let me start over. What do you get when you cross The King of Comedy with the clown prince of crime?
You get Joker, an R-rated superhero movie with no super and zero heroes that oozes out of DC comics, but leaves almost everything on the page. Director Todd Phillips -- the man behind comedies Starsky and Hutch, Old School and The Hangover movies -- reinvents the eternally popular Batman baddie by plonking Joaquin Phoenix into the mean streets of a vintage Martin Scorsese flick. The result is an intense, troubling movie with pretensions to be a modern-day Taxi Driver, complete with incendiary leading performance.
The film has sparked divided reviews and a debate over its dark themes, causing the director to speak out and theaters to ban viewers from dressing up to see it. You can decide for yourself whether it merits this frenzied discussion as Joker is in theaters now.

You talkin' to Joaquin?Niko Tavernise
A retro Warner Bros. logo signals we're in the early 1980s. The people of Gotham City are swamped by a rising tide of garbage, literally and metaphorically. None more so than put-upon Arthur Fleck. He's just a gentle guy who likes to make people smile, whether he's taking a gun into a children's hospital or stalking his pretty neighbor. Arthur's lost in the margins among the graffiti and neon, trudging up endless steps and down mildewed corridors in a life of shadowed tenements, empty mailboxes and broken elevators.
As the mentally ill and socially ignored Arthur, Phoenix burns a hole in the screen. From the opening moment when he cracks his mouth into an unnerving fake smile, the three-time Oscar nominee commands your attention. Minutes into the film, he suddenly flicks his eyes to meet the camera, and it's shiver-inducing. You almost don't want him looking at you.
Arthur is a clown by day and a stand-up comic by night, but nobody's laughing in this brutal metropolis. In some versions of the comic book character's origins, the man who would be Joker fell into chemicals that bleached his skin and hair and twisted his mouth into the distinctive rictus. There's nothing so comic-book-schlocky in this version. Here, the city is the inescapable vat in which Arthur flails. Indifference is the goop in which he drowns. Cynicism and cruelty are the acid burning him to the bone.
Seriously, everyone in this movie is miserable. They're queuing up to beat Arthur up, but the second time he's set upon the ground-down clown fights back. In the stuttering light of a rattling subway, Arthur shoots three boorish bankers, and a transformation begins. The shooting inadvertently sparks a movement as the downtrodden people of Gotham rise up against the rich. It's not the reaction Arthur wanted, but it's a reaction -- and he'll take it.

Zazie Beetz and Joaquin Phoenix on the mean streets of Gotham.Niko Tavernise
It's hugely unnerving the way Phoenix shifts moods so subtly, yet so completely. With each soul-crushing rejection his face imperceptibly darkens, his whole physical shape transforming with a roll of his shoulder. One of Arthur's many problems is a condition causing him to laugh at inappropriate times, and Phoenix gives his all to this anguished tic. He giggles through tears, guffaws in pain, hoots with great wracking sobs dredged from the depths of his contorted, hunched skeleton. His skin stretched taut across protruding bone, he seems to store up tension with every passing indignity, violence coiling inside Arthur as if he were Travis Bickle's less well-adjusted little brother.

Now playing: Joker character coming to life in final trailer
2:24
After the first burst of brutal violence, Arthur dances, the first glimpse of a new Arthur with renewed confidence. His movements are elegant, his emaciated frame now lithe, lissom, graceful. He watches himself in the mirror, just as we watch him on screen. Later on his journey to becoming Joker, he dances through the streets resplendent in a blood-colored suit. He's swaggering, confident, cool. You know you're going to see this Joker at Halloween this year, and at conventions for years to come.
It's an instantly iconic look, distinct from the Jack Nicholson, Jared Leto and Heath Ledger versions that came before. The red and yellow outfit echoes the sickly walls of the Arkham mental hospital, just one of many stunning details in the slick production design. Sure, you've heard this one before, but even as a pastiche of far superior 1970s and 1980s New York films, Joker still looks amazing.

Knock, knock. Who's there? A million cosplayers!Niko Tavernise
After the subway shooting, a witness sketch presents an image of Arthur as a be-fanged horror. When he sees it, Arthur bares his teeth to contort himself into looking more like the image. It's a feedback loop of misguided misidentification that spirals out of control as rioters don clown masks, spurring Arthur on yet again. Everybody sees what they want, their rage mirrored and multiplied. Some people just can't take a joke.
Possibly the film makes its most effective point by depicting the media as unable to resist someone with a schtick. "I don't believe in anything," Joker admits. "I just thought it would be good for my act." In these polarized times that's a phrase that could be uttered by any number of attention-hungry opportunists, from Reddit to the White House. Joker is certainly a film of our time -- and the secret of comedy is, after all, timing.

The Joker: See all the actors who've played the DC Comics villain
14 PHOTOS
The question is whether Joker has anything to say about our times. In Christopher Nolan's The Dark Knight, the Joker was a malevolent agent of chaos desperate to prove people are terrible. But the film took a firm stance, showing the people of Gotham refusing to blow up each other. Nolan's film definitively condemned the Joker and his bleak worldview as charismatic but wrong.
Philips' film, by contrast, doesn't seem to know what it's trying to prove. Yes, Arthur is disturbed and violent. But everybody else is cynical, mistrusting and cruel. A social worker barely notices Arthur. A mother snaps at him when he tries to cheer up her kid. Even the two fatherlike figures Arthur obsesses over, tycoon Thomas Wayne and chat show host Murray Franklin (played, fittingly, by Taxi Driver and King of Comedy star Robert De Niro), turn out to be smug and superior. The rich are terrible and the people are even worse -- a frothing rabble of rioters, looters and murderers who barely need an excuse to tip into savagery.
MORE JOKER
Joker's movie makeup: How Joaquin Phoenix put on a happy face
Joker with Joaquin Phoenix: Everything you need to know
Joker too violent for kids, Alamo Drafthouse warns parents
Philips does an impressively unnerving job of building tension and menace toward the inevitable explosion, and there's a devastating rug-pulling twist. But the film wobbles over who's ultimately the butt of the joke, messing up the punchline when it comes to deciding whether Arthur is a pathetic loser or a righteous victim/hero. There's an element of ambiguity in the ending, but it feels less like a genuine artistic statement and more like one of several cringy attempts to be edgy, like a song by convicted pedophile Gary Glitter on the soundtrack.
The movie soars free of capes and other superhero nonsense, but it's hard to see the point being made when there's no heroic Batman representing the other side of the scarred coin (to borrow a motif from a different bat-villain). Joker is intense and unnerving and a radical entry into the superhero genre, but come on, Taxi Driver was 40 years ago. Maybe that joke isn't funny anymore.

2019 movies to geek out over
77 PHOTOS
Originally published Sept. 28.
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Thank you for taking the time out of your busy schedule to review this information and information on the website. If there is any further information we can provide you please do not hesitate to ask.
Cheers, THE SALES TEAM © Bali Luxury Retirement Villas
PLEASE CALL OR EMAIL US: Tel: 62-361-284069 Mobile or Whatsapp 62-812-3814014 Email: infoBLRV@gmail.com
P.S. We also have several larger villas available from two-bedroom www.baliluxuryvillasales.com
![]() |
Starting as low as $158,888. |
to four-bedroom www.baliparadiseestates.com
starting as low as $158,888. The leases on these units vary from 34 years to nine years remaining.
Please contact us if you wish for further information. Tel: 62-361-284069 Mobile or Whatsapp 62-812-3814014 Email: infoBLRV@gmail.com
_________________________________
Free Bali Real Estate Seminar Video:
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They believe that recent clarification of Bali real estate laws for foreigners allowing them to obtain control of Bali Real Estate for more than normal life is creating a huge new demand for Indonesian and Bali Real Estate.
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Click Here to view the latest Free Bali Real Estate Seminar Video
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During this Free Bali Seminar Video
you will learn about:
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Since many of you have busy schedules and are unable to attend our seminars we think you will find our latest Free Bali Real Estate Seminar Video provides an exceptional education that will help you understand Bali real estate laws and allow you to make some substantial profits from Bali real estate investment.
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Feel free to contact me directly for a free private consultation at my office in Sanur.
Lawrence B.M.B,
Owner, President, Director
Tel or Whatsapp +628123814014
Email: lawrenceptbali@gmail.com
For a free one-hour legal consultation you may contact my Partner & Wife Azizah regarding anything from Indonesian Laws, Establishment of legal companies, securing proper visas, Marital contracts including prenuptial's post nuptial’s, etc.
Tel or Whatsapp +628113864993
Email: balinotarisazizah@gmail.com
About the Speaker Lawrence. Is the Owner, President and General Manager of 14-year-old Pt. Bali Affordable Lifestyles International (PT. B.A.L.I.). Doing Business as Best Asia Real Estate.
His spouse and partner Azizah, is a fully licensed Indonesian Notaris with a master’s degree in Indonesian Law specializing in real estate, corporate and Foreign Marital documentation.
Together they and their 100 + professional staff provide a one-stop professional, efficient location for Buying, Selling, Leasing and Renting Asian Real Estate.
They manage Best Asia Real Estate, PT. Bali Luxury Villas with rentals starting at $99 ++ per room per night & Bali Luxury Villa Sales Starting at $158,000, plus Bali Paradise Beach Estates rentals starting at $128.00 ++ per night and Estate sales starting at $350,000. plus Bali Luxury Retirement Villas starting at #198,888
They are a Ten-time Consecutive Certificate of Excellence recipient on the Worlds Largest Travel Site. This places them among the top 10 % of hotels and villas listed by Tripadvisor worldwide.
"Recipients Hall of Fame Award, awarded to only 2 % of the Hotels listed on TripAdvisor Worldwide"
Lawrence is also one of Asia’s best-known travel and real estate investment experts. They publish the daily Bali & World News & Views Blog which combined with Bali News and Views Blog has had almost 1,500,000 pageviews. They also publish the Best Asia Real Estate Blog, Facebook, and Twitter posts. He offers free real estate seminars throughout Asia every quarter. For Free Seminar schedule email to seminarsptbali@gmail.com
Head Office: Jl. Karangsari # 5, Sanur, Bali, Indonesia 80228 Tel. Office: 62-361-284069 Fax: 62-361-270143,
Mobile: or Whatsapp: English: 62-8123814014 Bahasa Indonesia: 62-8113864993 Email: lawrenceptbali@gmail.com Skype: baliagents
Disclaimer: All information presented above is considered true and reliable to the best of our knowledge at the time that it was published. Information and prices may change without notice. The owners of PT. BALI AFFORDABLE LIFESTYLES INTERNATIONAL doing business as BEST ASIA REAL ESTATE and PT. BALI LUXURY VILLAS accept no responsibility for incorrect information listed herein. All recommendations may lose value in the future.
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